![]() Concerned with universal patterns, particularly those found in nature, Jess’s surreal compositions present the natural world as a living network of interconnected organisms, forms and qualities.Ĭalling our attention to similarly undervalued fragments of our existence, Emily Ebbs uses spontaneous scribbles and energetic mark making to create vigorous abstractions. Often depicting moss, fungus and other microbial forms, painter Jess Callen seeks to magnify the beauty and substance found in even the smallest microcosms. Clare uses the language of our digital age, the pixel, to create painterly eulogies for long disused corners of cyberspace. ![]() Clare Wigney, on the other hand, looks to highlight the tension between the physical and the immaterial that permeates all contemporary visual culture. Eschewing traditional printmaking materials, Steel instead prints onto concrete slabs endowing the experiments with an unwavering permanence. Guided by process, Steel filters found images through multiple digital and traditional printmaking methods to create vibrant abstractions. Others, like printmaker Taylor Steel, repurpose our disposable visual culture. Sadie’s paintings, which often make use of found materials, celebrate discarded traces of our existence. Likewise, Sadie Whelan uses energetic and playful mark making to amplify the serendipitous beauty of these same spaces. By employing photographic and printmaking processes, Mungo creates considered compositions evocative of the language of abstraction. For Artists like Mungo Howard, the frayed and fractured veneers of our everyday lived environment become bright, bold readymade paintings.
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